Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Jjean-Marc nattier
Princess Marie Adelaide of France - The Air

ID: 75323

Jjean-Marc nattier Princess Marie Adelaide of France - The Air
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Jjean-Marc nattier Princess Marie Adelaide of France - The Air


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Terpsichore | Portrait of Jorgen Scheel | Madame de Maison-Rouge as Diana | Princess Anne Henriette of France The Fire | Portrait of Jeanne Louise de Lorraine, Mademoiselle de Lambesc (1711-1772) and her brother Louis de Lorraine, Count then Prince of Brionne |
Related Artists:
Elisabeth Warling
painted Strandvagen-Stockholm in 1874
Naish, John George
English, 1824-1905
Joseph Paelinck
Belgian Painter, 1781-1839, Flemish painter. The son of a farmer, he studied at the Academie in Ghent. He exhibited for the first time in 1802 at the Ghent Salon, then left for Paris where he was admitted into Jacques-Louis David's studio. In 1804 his Judgement of Paris (Ghent, Mus. S. Kst.) obtained a prize at the Ghent Salon. The first of numerous commissions that followed was for St Colette (1806; Ghent, St Baaf), which was in keeping with the contemporary Historicist vogue. In 1808 he was commissioned to paint a portrait of the Empress Josephine (Ghent, Mus. S. Kst.), and in the same year the town of Ghent granted him an allowance for four years of study in Rome where, with other former pupils of David, he took part in the decoration of the Palazzo del Quirinale; his contribution, Augustus Ordering the Adornment of Rome, is untraced. While in Italy he also painted a Neo-classical Invention of the Cross (1812; Ghent, St Michel), inspired by Raphael. In 1812 he returned to Ghent and in 1815 moved to Brussels to paint the portrait of William, Prince of Orange (1818; Brussels, H?tel de Ville). He painted several religious subjects, including a Crucifixion (1817; Sleidinge, St Joris) and the Disciples at Emmaus (Everghem Church), which have links with the 17th-century French tradition. Among the portraits he executed in this period is the Snoy Family






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